07 December 2008
Words & Pictures
A new book by Jenny Uglow takes a look at what the author calls a "peculiarly British tradition," the close relationship between many Brit literary texts and their illustrators.
I haven't read the book, but a notice for it caught my eye in yesterday's Financial Times.
Ms Uglow, who grew up in Cumbria, is of course perfectly entitled to focus her attentions in such a study upon her own nation's literary traditions: the relationship between Lewis Carroll and John Tenniel, for example.
But the tradition of great narrative illustration is hardly confined to the British isles. Even when that is where the texts came from!
The classic illustrated version of Treasure Island is still that by which N.C. Wyeth illuminated R.L. Stevenson's story, after all. And Wyeth (1882-1945) was as American as Stevenson was a Scot.
Just thought I'd mention it.
I haven't read the book, but a notice for it caught my eye in yesterday's Financial Times.
Ms Uglow, who grew up in Cumbria, is of course perfectly entitled to focus her attentions in such a study upon her own nation's literary traditions: the relationship between Lewis Carroll and John Tenniel, for example.
But the tradition of great narrative illustration is hardly confined to the British isles. Even when that is where the texts came from!
The classic illustrated version of Treasure Island is still that by which N.C. Wyeth illuminated R.L. Stevenson's story, after all. And Wyeth (1882-1945) was as American as Stevenson was a Scot.
Just thought I'd mention it.
Subscribe to:
Post Comments (Atom)
Knowledge is warranted belief -- it is the body of belief that we build up because, while living in this world, we've developed good reasons for believing it. What we know, then, is what works -- and it is, necessarily, what has worked for us, each of us individually, as a first approximation. For my other blog, on the struggles for control in the corporate suites, see www.proxypartisans.blogspot.com.
No comments:
Post a Comment