Writing about music

Elvis Costello said, "Writing about music is like dancing about architecture, it's a really stupid thing to want to do."

That sort of comment is cute, but not especially perceptive. After all, in principle a dance could as easily be about architecture as it can be about, say, a children's Christmas Party or a beautiful maiden magically transformed into a swan.

People in Mr. Costello's line of work would presumably like to see "writing about music" limited to, say, press releases advertising their gigs. Its critical writing about music about which they get grumpy.

That is, of course, the set-up to the wonderful movie "Almost Famous," where an adolescent boy learns how to write about music, and how to get an interview.

What about jazz music? Writing on that subject seems especially difficult, since the content is uniquely slippery, jazz musicians being perhaps uniquely wedded to extemporaneous creation.

Here, though, is a forum on the subject:

http://www.jazzhouse.org/nlib/index.php3?read=writing1

My point? Don't ask. I'm thinking aloud, you're just listening in.

Music

With a friend's encouragement, I went this weekend to a performance of two classically trained guitarists, Mark and Beverly Davis.

They performed a wide range of folks songs, some from the British isles, some from Spain ... some recent compositions inspired by Chinese poetry.

It was excellently done. Here's a plug for them, accordingly.

There's a CD of their material, Ayres and Dances for Two Guitars, recorded by Signature Sounds, Pomfret, CT. You can order it through the following website:

www.markmdavis.com