Two weeks ago I quoted a passage from Dorothy Sayer's introduction to her translation of Dante's Divine Comedy. Click here to refresh your recollection. She listed some of the references drawn largely from British history of the late 19th and early 20th century that a British poet in the middle of the 20th century might use in creating an analog. Her point was that these references will become obscure over time, just as the various references of medival Italy now seem quite obscure to us.
The passage of time has proven her right in this. In last week's entries, though, I found something to say about eachof the allusions -- except for those below. Today we conclude our self-appointed task as annoator for Sayer's hypoithetical poem.
"the Officer in the Tower" -- Norman Baillie-Stewart (1909-1966), a Subaltern in the Seaforth Highlanders, who was court martialled in 1933 for selling military secrets to Germany. The two countries were not yet at war, so he was not in danger of execution for treason, but he did become the last British citizen ever imprisoned in the Tower of London, and earned the italicized nickname.
Peter the Painter -- the pseudonym of a Latvian Communist revolutionary, who was involved in street fighting in London (the "siege of Sydney Street") in 1910-11. His "real identity" is still a matter of some dispute, but it may well have been Yakov Peters (1886 - 1938).
Jenkins 'of the Ear', -- Robert Jenkins -- the birth and death dates are uncertain. He was captain of a commercial brig sailing the West Indies in 1731. His vessel was stopped and boarded by a Spanish ship, and his ear was severed. The incident became the professed cause of a war between England and Spain.
Dick Sheppard (1880 - 1937), the Dean of Canterbury Cathedral from 1929 until illness forced him to retire two years later. Sheppard was was of the outstanding clerical pacifists of the inter-war period.
Jack Sheppard (1702-1724), a thief was was repeatedly arrested by, and who repeatedly escaped from, the authorities in 18th century London, making him a Robin-Hood type figure in the eyes of some.
'the Widow at Windsor' -- A phrase popularized by Rudyard Kipling for Queen Victoria (1819-1901). It refers of course to the period of her rule after the death of Prince Albert in 1861.
The writer of this hypothetical poem also "holds strong views on" the following issues, on each of which I'll say a very few words:
Trade Unionism -- nowadays we would probably speak of "labor unions," and "collective bargaining." The phrase "trade unions" with or without an "ism" seems antique.
the constitution of the UNO -- of course the United Nations' constitution was and continues to be a target of objection both by nationalists who believe it constrains the sovereignty of member nations and by full-blooded internationalists who complain that it doesn't.
the 'theology of crisis' -- a phrase associated especially with Karl Barth (1886-1968), emphasizing the utter Otherness of God, and thus His unknowability. Reliance on scripture doesn't remove this unknowability, for: "The Bible is God's Word so far as God lets it be His Word," Barth wrote.
Freudian psychology -- Sigmund Freud (1856 - 1939) hardly needs comment from me, except to say that his influence was at something of a peak in the post-war British context of Sayers' hypothetical poet.
Einsteinian astronomy -- refers of course to Albert Einstein (1879 - 1955) and the profound changes he introduced into how we think about Space, Time, Matter, and Energy.
and the art of Mr. Jacob Epstein (1880 - 1959), an influential sculptor, whose art includes for example "St. Michael's Victory Over the Devil," a work affixed to the wall of Coventry Cathedral.
Showing posts with label Dorothy Sayers. Show all posts
Showing posts with label Dorothy Sayers. Show all posts
13 October 2011
09 October 2011
A Guide to Dorothy Sayers IV
I've been conducting a review of the allusions that Dorothy Sayer introduced in her plan for a hypothetical poem. These are references drawn largely, though not entirely, from British history of the late 19th and early 20th century. I'm not going to finish this up this week, but let's see how far we can get.
the Tolpuddle Martyrs, a group of farm workers who were convicted in 1834 for swearing an oath of solidarity to one another. The prosecution was part of the broader anti-union backlash of the day, and the convicts were transported to Australia.
Brown and Kennedy, Both of these names are of course quite common, and it isn't obvious who Sayers meant. My first suspicion was an American one -- she was linking the two men who separately defeated Richard Nixon's political aspirations in the early 1960s! But Says seems to have completed this introduction by 1949. My present suspicion, since this item comes right after the Tolpuddle Martyrs, is that the reference is to James Brown (1862-1939), the head of the National Union of Scottish Mineworkers from 1917 to1936. Perhaps Sayers is coupling Brown with an American counterpart, Thomas Kennedy (1887- 1963), an important figure in the United Mine Workers (in the US) from at least 1925 until his death. If anybody has a better idea for what this pairing means in this context, please let me know.
the Dean of St Patrick's, this is an allusion to Anglo-Irish novelist Jonathan Swift (1667-1745). The St Patrick's in question is the Cathedral in Dublin.
the Dean of St Paul's, John Donne (1572 - 1631), the paradigmatic figure of what is nowadays called "metaphysical poetry." The author of the famous Meditation XVII, "And therefore never send to know for whom the bell tolls; It tolls for thee."
Dean Farrar, Frederic William Farrar (1831-1903), an advocate of "Christian universalism," the idea that all human souls will in the fullness of time be reconciled with God -- i.e. that there is no everlasting damnation of the sort Dante vividly imagined.
Fred Archer, Frederic Archer (1838-1901) An organist and composer whose career began in England but continued after 1880 in the United States, where he became conductor of the Orotorio Society in Boston, Mass.
Mrs Dyer, Louise Berta Mosson Hanson-Dyer (1884 - 1962) -- Sayers helpfully groups two of her musical referents together here. Mrs Dyer was an Australian born woman, who founded a music publishing operation, Éditions de l'Oiseau-Lyre, in 1932.
Lord George Sanger (1825-1911), an English analog to P.T. Barnum. Sanger ran a variety of shows and circuses and founded an association to lobby for the intrerests of such businesses, the Van Dwellers Protection Association.
Lord George Gordon, (1751-1793), a Scottish nobleman who converted to Judaism in 1787, at 36 years of age. Charles Dickens makes a favorable allusion to George Gordon in the novel Barnaby Rudge.
General Gordon, Major-General Charles George Gordon (1833-1885), best known for his determined defense of the Imperial position at Khartoum, in the face of the Mahdi rebellion, (Islamism, one might say) and his death in that defense in January 1885.
Ouida, The pen name of the novelist Maria Louise Ramé (1839-1908). Her works, considered racy at the time, were quite successful, but she did not manager her money wisely and died in poverty. Jack London cited her as an important influence on his own writing.
William Joyce, (1906-1946), known as Lord Haw-Haw, he was born in New York, but his family returned to his parents' home country, Ireland, while he was a child. They were Unionists in the Irish context, and they moved to England soon after Ireland received its independence. Joyce would found the British Union of Fascists and would broadcast radio propaganda for Hitler during the war. Hence his execution for treason in January 1946.
James Joyce, (1882-1941), one of the defining figures of literary modernism, perhaps best known fo Ulysses (1922).
the Tolpuddle Martyrs, a group of farm workers who were convicted in 1834 for swearing an oath of solidarity to one another. The prosecution was part of the broader anti-union backlash of the day, and the convicts were transported to Australia.
Brown and Kennedy, Both of these names are of course quite common, and it isn't obvious who Sayers meant. My first suspicion was an American one -- she was linking the two men who separately defeated Richard Nixon's political aspirations in the early 1960s! But Says seems to have completed this introduction by 1949. My present suspicion, since this item comes right after the Tolpuddle Martyrs, is that the reference is to James Brown (1862-1939), the head of the National Union of Scottish Mineworkers from 1917 to1936. Perhaps Sayers is coupling Brown with an American counterpart, Thomas Kennedy (1887- 1963), an important figure in the United Mine Workers (in the US) from at least 1925 until his death. If anybody has a better idea for what this pairing means in this context, please let me know.
the Dean of St Patrick's, this is an allusion to Anglo-Irish novelist Jonathan Swift (1667-1745). The St Patrick's in question is the Cathedral in Dublin.
the Dean of St Paul's, John Donne (1572 - 1631), the paradigmatic figure of what is nowadays called "metaphysical poetry." The author of the famous Meditation XVII, "And therefore never send to know for whom the bell tolls; It tolls for thee."
Dean Farrar, Frederic William Farrar (1831-1903), an advocate of "Christian universalism," the idea that all human souls will in the fullness of time be reconciled with God -- i.e. that there is no everlasting damnation of the sort Dante vividly imagined.
Fred Archer, Frederic Archer (1838-1901) An organist and composer whose career began in England but continued after 1880 in the United States, where he became conductor of the Orotorio Society in Boston, Mass.
Mrs Dyer, Louise Berta Mosson Hanson-Dyer (1884 - 1962) -- Sayers helpfully groups two of her musical referents together here. Mrs Dyer was an Australian born woman, who founded a music publishing operation, Éditions de l'Oiseau-Lyre, in 1932.
Lord George Sanger (1825-1911), an English analog to P.T. Barnum. Sanger ran a variety of shows and circuses and founded an association to lobby for the intrerests of such businesses, the Van Dwellers Protection Association.
Lord George Gordon, (1751-1793), a Scottish nobleman who converted to Judaism in 1787, at 36 years of age. Charles Dickens makes a favorable allusion to George Gordon in the novel Barnaby Rudge.
General Gordon, Major-General Charles George Gordon (1833-1885), best known for his determined defense of the Imperial position at Khartoum, in the face of the Mahdi rebellion, (Islamism, one might say) and his death in that defense in January 1885.
Ouida, The pen name of the novelist Maria Louise Ramé (1839-1908). Her works, considered racy at the time, were quite successful, but she did not manager her money wisely and died in poverty. Jack London cited her as an important influence on his own writing.
William Joyce, (1906-1946), known as Lord Haw-Haw, he was born in New York, but his family returned to his parents' home country, Ireland, while he was a child. They were Unionists in the Irish context, and they moved to England soon after Ireland received its independence. Joyce would found the British Union of Fascists and would broadcast radio propaganda for Hitler during the war. Hence his execution for treason in January 1946.
James Joyce, (1882-1941), one of the defining figures of literary modernism, perhaps best known fo Ulysses (1922).
07 October 2011
A Guide to Dorothy Sayers II
Yesterday I began a review of the allusions that Dorothy Sayer introduced in her plan for a hypothetical poem. These are references drawn largely from British history of the late 19th and early 20th century.
Her point was that these references will become obscure over time, just as the various references of medival Italy now seem quite obscure to us.
The passage of time has proven her right in this. I've decided to see if I can say something about every one of her references, just as if these were for the annotations of a real poem.
Continuing then:
Her point was that these references will become obscure over time, just as the various references of medival Italy now seem quite obscure to us.
The passage of time has proven her right in this. I've decided to see if I can say something about every one of her references, just as if these were for the annotations of a real poem.
Continuing then:
Spencer – presumably Herbert Spencer (1820-1903), the systematic philosopher who coined the expression “survival of the fittest,” and whose work inspired others to coin the expression “Social Darwinism.”
Spenser – probably Edmund Spenser (1552-1599) a Tudor-era poet, and an advocate of a scorched-earth policy toward the Irish.
Lord Castlereagh – (1769 – 1822), Secretary of State for Foreign Affairs from 1812 until his suicide in 1822. As one might expect, he acquired a lot of enemies during that period. The poet Shelley wrote, in “The Masque of Anarchy”: “I met Murder on the way/ He had a face like Castlereagh….”
Lord Castlerosse – Probably refers to the courtesy title of Valentine Browne (1891 – 1943) the first member of the British aristocracy ever to write a newspaper gossip column.
Lawrence [of Arabia] -- T.E. Lawrence (1888 – 1935), British officer who served as liaison to anti-Ottoman Arab forces, at a time when the Ottoman Empire was allied with Germany and Austrio-Hungary.
[D.H.] Lawrence – (1885 – 1930) – novelist and poet. No less an authority than E.M. Forster called this Lawrence “the greatest imaginative novelist of our generation.”
“Butcher” Heydrich (1904-1942)—head of Hitler’s Gestapo early on in the Second World War, killed by Czechoslovak resistance fighters in May 1942.
W.G. Grace (1848 – 1915), a physician and cricketer. A legend in the world of cricket, he is said to have made more money there than in the practice of medicine, an astonishing fact in those innocent pre-TV years.
Grace Darling (1815-1842), the daughter of a lighthouse keeper, she earned renown for her efforts at saving 13 of the victims of the wreck of the SS Forfarshire in 1838. This was a paddle-wheel driven steamship..
Captain of the Jarvis Bay – Sayers seems to have gotten the spelling of the ship’s name wrong, but Fogarty Fegen (1891-1940) was the captain of an armed merchantman Jervis Bay, sunk by a German battleship in 1940. A memorable poem was made out of the incident, “The Jervis Bay Goes Down.”
The Sisters of Haworth -- an allusive phrase for the Bronte sisters – Charlotte, Emily, and Ann, who lived at Haworth parsonage.
The Woodcutter of Hawarden – William Ewart Gladstone (1809-1898) – Hawarden was Gladstone’s estate – he was prime minister four separate times, essentially alternating with Benjamin Disraeli through the second half of the 19th century.
The Ladies of Llangollen, Lady Eleanor Butler (1739 – 1829) and Miss Sarah Ponsonby (1755-1832) founders of a literary circle in Wales in the late 18th century.
29 September 2011
Dorothy Sayers
Dorothy Sayers is well-known for several accomplishments, among them a distinctive translation of the first two canticles of The Divine Comedy (Inferno and Purgatorio) into English. She did not, alas, live long enough to complete her translation, but Barbara Reynolds carried on, completing work on the Paradiso, and their joint effort become the Penguin Classics' Dante.
In her introduction to Inferno, Sayers addresses the question of why contemporary (by which she meant mid 20th century) readers needed as much apparatus as she had attached -- Notes, Commentaries, Glossary, Appendices. She answered with this example:
"Let us suppose that an Englishman were to write a contemporary Divine Comedy on Dante's model, and that in it, mixed up with a number of scriptural and mythological characters, we were to find, assigned to various circles of Hell, Purgatory, and Paradise... the following assortment of people -- some referred to by their full names, some by Christian name or surname alone, and some indicated only by a witty or allusive phrase: Chamberlain ("him of the orchid"), Chamberlain ("him of the umbrella", [Stewart Houston] Chamerlain, "Brides-in-the-Bath" Smith, "Galloper" Smith, Horatio Bottomsley, Horatio [Lord Nelson], Fox [Charles or George to be inferred from the context], the Man who picked up the Bomb in Jermyn Street, Oscar Wilde, Oscar Slater, Oscar Browning, Spencer, Spenser, Lord Castlereagh, Lord Castlerosse, Lawrence [of Arabia], [D.H.] Lawrence, "Butcher" Heydrich, W.G. Grace, Grace Darling, the Captain of the Jarvis Bay, the Sisters of Haworth, the Woodcutter of Hawarden, the Ladies of Llangollen, the Lady with the Lamp, the Lady-with-the-Lampshade-made-of-Human-Skin, Titus Oakes, Captain Oates, Quisling, the Owner of 'Hermit', the French Bluebeard, Bacon, Roger Bacon, Roger Fry, the Claimant, the Bishop of Zanzibar, Clarence Hatry, the Tolpuddle Martyrs, Brown and Kennedy, the Dean of St Patrick's, the Dean of St Paul's, Dean Farrar, Fred Archer, Mrs Dyer, Lord George Sanger, Lord George Gordon, General Gordon, Ouida, William Joyce, James Joyce, "the Officer in the Tower", Peter the Painter, Jenkins 'of the Ear', Dick Sheppard, Jack Sheppard, and 'the Widow at Windsor'. Let us further suppose the writer holds strong views on Trade Unionism, the constitution of the UNO, the 'theology of crisis', Freudian psychology, Einsteinian astronomy, and the art of Mr Jacob Epstein. Let us then suppose that the book is to be read, six hundred years hence, by an intelligeng Portuguese with no particular knowledge of English social history. Would he not require a few notes...?"
You'll see that I used ellipses to shorten the explanatory mater before and after the list, but I used no ellipses in the list of allusions itself, because I wanted you to get the full over-the-top nature of the example.
I suspect I am intelligent by most metrics for such things. I am also a raving Anglophile, whose knowledge of "English social history" is probably superior to that of most early 21st century Americans. I first read the above passage in the 1970s, a lot closer to the date of its construction than our hypothetical Portuguese reader would be. And yet ... and yet ... I would definitely need notes to understand that hypothetical book. So she made her poiint, but she also posed me a challenge.
I get the significance of the initials "UNO," even though the "O" has been dropped off over time. I get the "theology of crisis," i.e. the theology of Karl Barth and others of that ilk. I recognize the names of the two Fox'.
But some of these allusions are confusing, and it isn't even very clear now, with the creation of this wonderful internet thing, how one would go about searching. What did Sayers have in mind by "the Claimant"? And "Peter the Painter"? Surely she isn't referring to the Ian Dury song, wouldn't that have required psychic powers on Sayers' part?
In her introduction to Inferno, Sayers addresses the question of why contemporary (by which she meant mid 20th century) readers needed as much apparatus as she had attached -- Notes, Commentaries, Glossary, Appendices. She answered with this example:
"Let us suppose that an Englishman were to write a contemporary Divine Comedy on Dante's model, and that in it, mixed up with a number of scriptural and mythological characters, we were to find, assigned to various circles of Hell, Purgatory, and Paradise... the following assortment of people -- some referred to by their full names, some by Christian name or surname alone, and some indicated only by a witty or allusive phrase: Chamberlain ("him of the orchid"), Chamberlain ("him of the umbrella", [Stewart Houston] Chamerlain, "Brides-in-the-Bath" Smith, "Galloper" Smith, Horatio Bottomsley, Horatio [Lord Nelson], Fox [Charles or George to be inferred from the context], the Man who picked up the Bomb in Jermyn Street, Oscar Wilde, Oscar Slater, Oscar Browning, Spencer, Spenser, Lord Castlereagh, Lord Castlerosse, Lawrence [of Arabia], [D.H.] Lawrence, "Butcher" Heydrich, W.G. Grace, Grace Darling, the Captain of the Jarvis Bay, the Sisters of Haworth, the Woodcutter of Hawarden, the Ladies of Llangollen, the Lady with the Lamp, the Lady-with-the-Lampshade-made-of-Human-Skin, Titus Oakes, Captain Oates, Quisling, the Owner of 'Hermit', the French Bluebeard, Bacon, Roger Bacon, Roger Fry, the Claimant, the Bishop of Zanzibar, Clarence Hatry, the Tolpuddle Martyrs, Brown and Kennedy, the Dean of St Patrick's, the Dean of St Paul's, Dean Farrar, Fred Archer, Mrs Dyer, Lord George Sanger, Lord George Gordon, General Gordon, Ouida, William Joyce, James Joyce, "the Officer in the Tower", Peter the Painter, Jenkins 'of the Ear', Dick Sheppard, Jack Sheppard, and 'the Widow at Windsor'. Let us further suppose the writer holds strong views on Trade Unionism, the constitution of the UNO, the 'theology of crisis', Freudian psychology, Einsteinian astronomy, and the art of Mr Jacob Epstein. Let us then suppose that the book is to be read, six hundred years hence, by an intelligeng Portuguese with no particular knowledge of English social history. Would he not require a few notes...?"
You'll see that I used ellipses to shorten the explanatory mater before and after the list, but I used no ellipses in the list of allusions itself, because I wanted you to get the full over-the-top nature of the example.
I suspect I am intelligent by most metrics for such things. I am also a raving Anglophile, whose knowledge of "English social history" is probably superior to that of most early 21st century Americans. I first read the above passage in the 1970s, a lot closer to the date of its construction than our hypothetical Portuguese reader would be. And yet ... and yet ... I would definitely need notes to understand that hypothetical book. So she made her poiint, but she also posed me a challenge.
I get the significance of the initials "UNO," even though the "O" has been dropped off over time. I get the "theology of crisis," i.e. the theology of Karl Barth and others of that ilk. I recognize the names of the two Fox'.
But some of these allusions are confusing, and it isn't even very clear now, with the creation of this wonderful internet thing, how one would go about searching. What did Sayers have in mind by "the Claimant"? And "Peter the Painter"? Surely she isn't referring to the Ian Dury song, wouldn't that have required psychic powers on Sayers' part?
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