I'm going to NYC one week from tomorrow -- December 13th -- for an evening performance of Mozart's Don Giovanni.
This time I've rented a tux in advance. I know I risk looking goofily overdressed, but hey: I haven't worn a tux since a mid-1970s prom best forgotten. I'm bloody well gonna wear one in 8 days.
But enough about me. What about the opera? Here's the story.
And the cast? Erwin Schrott has the title role. Dorothea Roschmann is Donna Elvira: Tamar Iveri, Donna Anna: Isabel Leonard, Zerlina: Matthew Polenzani, Don Ottavio: Ildebrando D'Arcangelo, Leporello: Joshua Bloom, Masetto. Kwangchul Youn plays the The Commendatore. Lothar Koenigs will conduct.
Ms Roschmann has only recently stepped into her role. Before Dec. 1, this production's Elvira was Petra-Maria Schitzer.
Going back a bit further, in the Vienna premier of this opera, in May 1788, the part was originated by a soprano with the lovely name Caterina Cavalieri. And wikipedia tells me that Catarina had studied voice with ... Antonio Salieri.
I imagine he was teaching her well, when he wasn't too occupied cursing his own mediocrity.
Knowledge is warranted belief -- it is the body of belief that we build up because, while living in this world, we've developed good reasons for believing it. What we know, then, is what works -- and it is, necessarily, what has worked for us, each of us individually, as a first approximation. For my other blog, on the struggles for control in the corporate suites, see www.proxypartisans.blogspot.com.
Knowledge is warranted belief -- it is the body of belief that we build up because, while living in this world, we've developed good reasons for believing it. What we know, then, is what works -- and it is, necessarily, what has worked for us, each of us individually, as a first approximation. For my other blog, on the struggles for control in the corporate suites, see www.proxypartisans.blogspot.com.
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